
Beans "Beans - Boots N Cats - Digipak CD" CD
Serving up eleven tracks of rhythmic garage-psych goodness, âBoots N Catsâ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018âs âBabbleâ and 2020âs âAll Together Nowâ, itâs a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. âIâve always wanted to make a drum-based album, dedicated around the beat first and then everything else followsâ, Blach says, explaining his desire to explore âdifferent production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brownâ as much as the acid-soaked 60s/70s rock youâd expect.
What emerges from the beat-first approach on âBoots N Catsâ charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship â never falling into the trap of taking itself too seriously. Itâs a sunny kaleidoscope of chugging guitars, driving bass-lines, soaring organs and warm, echo-soaked vocals â driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: âThe title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ânein, bootânâcatsânâ like a simple 1,2,3,4.â
Serving up eleven tracks of rhythmic garage-psych goodness, âBoots N Catsâ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018âs âBabbleâ and 2020âs âAll Together Nowâ, itâs a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. âIâve always wanted to make a drum-based album, dedicated around the beat first and then everything else followsâ, Blach says, explaining his desire to explore âdifferent production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brownâ as much as the acid-soaked 60s/70s rock youâd expect.
What emerges from the beat-first approach on âBoots N Catsâ charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship â never falling into the trap of taking itself too seriously. Itâs a sunny kaleidoscope of chugging guitars, driving bass-lines, soaring organs and warm, echo-soaked vocals â driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: âThe title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ânein, bootânâcatsânâ like a simple 1,2,3,4.â
Original: $14.99
-65%$14.99
$5.25Description
Serving up eleven tracks of rhythmic garage-psych goodness, âBoots N Catsâ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018âs âBabbleâ and 2020âs âAll Together Nowâ, itâs a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. âIâve always wanted to make a drum-based album, dedicated around the beat first and then everything else followsâ, Blach says, explaining his desire to explore âdifferent production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brownâ as much as the acid-soaked 60s/70s rock youâd expect.
What emerges from the beat-first approach on âBoots N Catsâ charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship â never falling into the trap of taking itself too seriously. Itâs a sunny kaleidoscope of chugging guitars, driving bass-lines, soaring organs and warm, echo-soaked vocals â driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: âThe title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ânein, bootânâcatsânâ like a simple 1,2,3,4.â